That bigger idea about humanity and life as it applies beyond the film universe. Where 'Batman Begins' and all but the final few moments of 'The Dark Knight' have this harmonious blending of action, character, plot, and theme, this trilogy's final chapter seems to be lacking that one special element. My apologies for not getting to 'Rises' just yet, but here's the connection. Take out Batman's dialogue and I’m not sure we'd take away what we're supposed to from the visuals on screen. But for some reason, I'm not sure the film earns that beat, emotionally, because that sequence feels a little rushed compared to all the time spent with the Joker. If Dent is a murderer, the cases he tried could be ripped apart, letting lose real criminals. Make no mistake, Nolan's intentions are clearly laid out, easy to understand, and seem logical. The hunted criminal.įor me, this is where things seem to veer off a little. He becomes the very thing he wanted to destroy. If word gets out that Harvey Dent, after becoming Two Face, murdered the people responsible for killing his fiancé, then all the good things Dent did before that will be undone. We've seen what happens when you escalate crime fighting, but now it seems Batman must become, not simply the world's savior, but whatever it needs him to be. Much like the 'Batman Begins' denouement, TDK's final moments seek to build on another thematic device. A brilliant look at post-9/11 conflict, with the Joker's form of unforgiving violence akin to real world terrorism, we must ask ourselves, how much are we willing to sacrifice freedom and responsibility to feel safe? And who's watching the people watching us? The Joker wants more than world domination or destruction he wants to force Batman to betray his principles (Batman never kills) to save lives. What makes the film truly special is how Nolan (et al) managed to fuse plot and theme. I'd like to think we would, that in a different world he would have had a hard time following up such a once-in-a-lifetime role, but it's hard to really know. I don't mean to sound callous, but it's hard to say if the whole world would have reacted in the same way had he not passed away. Heath Ledger's Joker is a breathtaking performance, marked - and some might argue, enhanced - by Mr. Rather than a "comic book movie," it felt like a high concept crime drama. If the Heroes defeat normal criminal elements with theatricality and reverse-engineered fear, what happens when the Villains do the same thing? 'The Dark Knight' is one of my favorite motion pictures of all time. Nolan's team then asked a bolder, logical follow up question about the nature of violence and escalation. He also saved Gotham City from the League of Shadows, a centuries old organization that burns down civilizations. He was consumed with revenge, but ultimately and in order to face his own fears and regrets, he used the dormant Applied Sciences division of Wayne Enterprises to, step by step, transform himself into something larger than any one person. We met Bruce Wayne, a man tortured by the helpless feeling of watching his parents gunned down. A journey begun nearly a decade ago, 'Batman Begins' marked a new, dare we say serious, era of the super hero film. Goyer, co-writer Jonathan Nolan, producing partner Emma Thomas, cinematographer Wally Pfister, composer Hans Zimer, and many more - finally concludes their Batman saga. One of the most anticipated movies of 2012, Christopher Nolan and his creative inner circle - co-writer David S.
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